There were a few who wrote anonymously, suggesting names of friends and giving said friends’ qualifications; but to me there was a hint of something sinister in such proceedings, and I went no further in the matter. But it is the dolphin that is the king of deep-sea fishes. Never is his colour twice quite the same. Swimming in the sea, an ethereal creature of palest azure, he displays in that one guise a miracle of colour. But it is nothing compared with the displays of which he is capable. At one time he will appear green—pale green, deep green, phosphorescent green; at another time blue—deep blue, electric blue, all the spectrum of blue. Catch him on a hook, and he turns to gold, yellow gold, all gold. Haul him on deck, and he excels the spectrum, passing through inconceivable shades of blues, greens, and yellows, and then, suddenly, turning a ghostly white, in the midst of which are bright blue spots, and you suddenly discover that he is speckled like a trout. Then back from white he goes, through all the range of colours, finally turning to a mother-of-pearl.!

Sometimes they crossed the Toucques in a boat, and started to hunt for sea-shells. The outgoing tide exposed star-fish and sea-urchins, and the children tried to catch the flakes of foam which the wind blew away. The sleepy waves lapping the sand unfurled themselves along the shore that extended as far as the eye could see, but where land began, it was limited by the downs which separated it from the “Swamp,” a large meadow shaped like a hippodrome. When they went home that way, Trouville, on the slope of a hill below, grew larger and larger as they advanced, and, with all its houses of unequal height, seemed to spread out before them in a sort of giddy confusion. As for myself, I’d rather be that man than the fellows who sit on the bank and watch him. That is why I am building the Snark. I am so made. I like, that is all. The trip around the world means big moments of living. Bear with me a moment and look at it. Here am I, a little animal called a man—a bit of vitalized matter, one hundred and sixty-five pounds of meat and blood, nerve, sinew, bones, and brain,—all of it soft and tender, susceptible to hurt, fallible, and frail. I strike a light back-handed blow on the nose of an obstreperous horse, and a bone in my hand is broken. I put my head under the water for five minutes, and I am drowned. I fall twenty feet through the air, and I am smashed. I am a creature of temperature. A few degrees one way, and my fingers and ears and toes blacken and drop off. A few degrees the other way, and my skin blisters and shrivels away from the raw, quivering flesh. A few additional degrees either way, and the life and the light in me go out. A drop of poison injected into my body from a snake, and I cease to move—for ever I cease to move. A splinter of lead from a rifle enters my head, and I am wrapped around in the eternal blackness.

On the first floor was Madame’s bed-chamber, a large room papered in a flowered design and containing the portrait of Monsieur dressed in the costume of a dandy. It communicated with a smaller room, in which there were two little cribs, without any mattresses. Next, came the parlour (always closed), filled with furniture covered with sheets. Then a hall, which led to the study, where books and papers were piled on the shelves of a book-case that enclosed three quarters of the big black desk. Two panels were entirely hidden under pen-and-ink sketches, Gouache landscapes and Audran engravings, relics of better times and vanished luxury. On the second floor, a garret-window lighted Felicite’s room, which looked out upon the meadows. It was the Snark’s first landfall—and such a landfall! For twenty-seven days we had been on the deserted deep, and it was pretty hard to realize that there was so much life in the world. We were made dizzy by it. We could not take it all in at once. We were like awakened Rip Van Winkles, and it seemed to us that we were dreaming. On one side the azure sea lapped across the horizon into the azure sky; on the other side the sea lifted itself into great breakers of emerald that fell in a snowy smother upon a white coral beach. Beyond the beach, green plantations of sugar-cane undulated gently upward to steeper slopes, which, in turn, became jagged volcanic crests, drenched with tropic showers and capped by stupendous masses of trade-wind clouds. At any rate, it was a most beautiful dream. The Snark turned and headed directly in toward the emerald surf, till it lifted and thundered on either hand; and on either hand, scarce a biscuit-toss away, the reef showed its long teeth, pale green and menacing. All the foregoing is by way of preamble to the statement that the horrors of Molokai, as they have been painted in the past, do not exist. The Settlement has been written up repeatedly by sensationalists, and usually by sensationalists who have never laid eyes on it. Of course, leprosy is leprosy, and it is a terrible thing; but so much that is lurid has been written about Molokai that neither the lepers, nor those who devote their lives to them, have received a fair deal. Here is a case in point. A newspaper writer, who, of course, had never been near the Settlement, vividly described Superintendent McVeigh, crouching in a grass hut and being besieged nightly by starving lepers on their knees, wailing for food. This hair-raising account was copied by the press all over the United States and was the cause of many indignant and protesting editorials. Well, I lived and slept for five days in Mr. McVeigh’s “grass hut” (which was a comfortable wooden cottage, by the way; and there isn’t a grass house in the whole Settlement), and I heard the lepers wailing for food—only the wailing was peculiarly harmonious and rhythmic, and it was accompanied by the music of stringed instruments, violins, guitars, ukuleles, and banjos. Also, the wailing was of various sorts. The leper brass band wailed, and two singing societies wailed, and lastly a quintet of excellent voices wailed. So much for a lie that should never have been printed. The wailing was the serenade which the glee clubs always give Mr. McVeigh when he returns from a trip to Honolulu.